Projects
Untitled (object 1)
Materials: Shattered glass, clay, concrete
Found materials, assembled sculpture
[2021]
This object is composed of shattered glass fragments found at an outdoor graffiti site, assembled into a sculptural form and anchored in clay attached to a piece of concrete. The work brings together remnants of impact, gesture, and place, allowing material traces from the site to retain their physical and symbolic weight. Rather than functioning as a fixed object, the sculpture operates as a quiet accumulation — holding tension between fragility, grounding, and the conditions of its origin.
Untitled (object 2)
Materials: Air-dry clay, spray paint, marker
Bark impressions taken from found tree bark
[2021]
This object is formed from air-dry clay imprinted with patterns taken from tree bark found on the ground, transferring natural surface textures without altering or harming the living tree. The clay surface is then treated with neon spray paint and overlaid with hand-drawn marks, introducing a dialogue between organic trace, artificial color, and gesture. The work explores how touch, pattern, and intervention translate material memory, allowing the object to exist between natural presence and constructed form.
Angel's Whisper (installation)
Materials: Clay, crushed charcoal
Temporary installation — train platform, wintry night
[Flemingsberg, 2019]
Air-dry
Placed directly on a train platform under a snowy night sky, this installation consists of sculptural forms made from air-dry clay and crushed charcoal, subtly echoing the gesture of wings. Installed quietly in situ, the work was left to encounter cold, wind, and passing movement. Rather than commanding attention, the forms register as gentle presences — their fragile textures and darkened surfaces responding to stillness and the rhythm of arrival and departure.
Descended Dreams (installation)
Materials: Cotton, neon spray paint, asphalt fragments
Temporary installation — train platform
[Flemingsberg, 2019]
This site-specific installation consists of cotton forms sprayed with neon paint, placed atop a pile of asphalt fragments on a train platform. The soft, altered material contrasts with the weight and roughness of the asphalt, creating a quiet tension between fragility and density. Installed in situ, the work responds to its surroundings through material opposition and restrained gesture, allowing the forms to exist as a temporary presence within a space of transit.